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The Clamor

by The Clamor

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1.
I’m waiting like some heart attack sneaking soul queen, cardiac soundtrack Sister Nancy or maybe U-Roy? It’s a mission through radio noise and this collision, it is the mission It’s that we’re playing with love obsessions and you can reach out and test the waters but you’re drowning with that offer you wish you were born in some other era when the ghost gave up with some surprise It’s just a shutter, shutter fast life It’s just a shutter, shutter fast life look here! now I’m waiting like some heart attack stealthy soul queen, cardiac soundtrack It’s the Jay-Tees on Bucktown Corner It’s a mission through radio noise and it’s a mission say fuck tradition It’s sedition a contradiction you can reach out in still waters but you’re drowning with that offer
2.
Turing Toy 03:06
Turing Toy I'm not scared, no I’m not scared when the floor gives way like that We all know that it can't ground you we won't ever argue that But she's says I got something for you and you'll lose that piece of you I’ll shoot you through and through she says... You rattle loud, Turning toy Sleeping sound in schadenfreude A thousand flaws, Turning toy, It’s your cameo (ooh my darling) There’s nothing you won't do at midnight to feel that thrill again We blacken the eye of virtues face with a shaking shuddering pang She said I'll build a monster since you never asked me too And since you have all of me I'll bury some of you Standing there, Turning toy I'm in my fathers uniform Pretended prayer, Turing toy, now that’s some cameo (ooh my darling) I'm not scared, no I ain't scared when the floor gives way like that We all know that it can't ground you we won't ever argue that But she's says I got something for you and you'll lose that piece of you I’ll shoot you through and through she says... Leaf-thin-skin, Turing toy Wheeled in rags down desolate halls It's the end parade we avoid Now that’s some cameo (Ooh my darling) I'm not scared of lonely affairs Are you gonna stay here hanging on? It's 3am I'm wide awake and I'd like to carry on Does that cruel smile die on your face in spite of me or you? She says I will cut you quick for such a thing like you Snagged in the snarl, Turing toy Gestures reverse your every word Love in boneyards, Turning toy, I ain’t no Romeo (ooh my darling)
3.
Nerve and Vein Loud scars over racy pulses, laugh tracks over Luminol, a clock without a single tick, a life on cruise control She lost her life in a game of high stake charades Web-thin mosquito limbs buried in the everglades (don’t know you) I did all the legwork when I found the liquor store But now I need a kickstand and I can't find the door It's everything, it’s everything, in full swing It's anyone, it’s everyone, it’s anyone, your favorite son (don't know you) Polite as church ushers she's a dusty sawdust doll, a clock without a single tick, a knife through a bullet hole She lost herself in a game of high stake charades web-thin mosquito limbs, we married in a hurricane What pulse or pause can automate their dreamless lives? Cruelty as a reflex waives the real surprise Wide awake in their hand-me-downs the kids chant a song about falling down It's everything, it’s everything, in full swing, It's anyone, It’s everyone, it’s anyone, your backward son (don't know you) Every nerve and vein
4.
She’s in Static Big talk from laddish man That macho rubble man He lost his temper he’s a caveman in a traffic jam Race me on the Autobahn Talk me up when I’m gone The cavalry is too far I’ll just play the piano as you leave now Love over the CB radio She's in the static jamming signals hidden in the noise She likes the numerator, she’s got critical aim, she turns our page and flies combat class Don’t like to lose it It’s critical man And turn my page Fly combat class! Big talk from laddish man That macho rubble man He lost his temper hit the pavement in a traffic jam Talk me up when I’m gone But don’t wear my uniform Your souvenir is a scowl I’ll just play the piano as you leave now Love over the CB radio He’s a big man yeah yeah yeah he’ll tell you so she likes the numerator, she’s got critical aim, she’s turns a page, and flies combat class Don’t like to lose it It’s critical man And turn my page Fly combat class Snitches and a rule of thumb You're home an oil drum Your voice a clicking pen Typewriter in your head The grapevine sells a myth Confidant or therapist? Whatcha mean you don’t catch my drift? I can play it out for you now Love over the CB radio She's in the static jamming signals hidden in the noise She likes the numerator, she’s got critical aim, she’s turns a page, and flies combat class
5.
Panic! 03:53
Panic! Stairs through gardens and undergrowth Yours is the loudest voice amongst the ghosts Love is restraint here not ecstasy Here Francis chokes himself with his rosary Some push/pull ain’t it? A push/pull aint it? A push/pull, panic! Bait and bite Rush and run Nape and neck, I panic! Seeing land appear across a bloody deck Like a toy town where safety is in the ugliness Sweet like Narcan or tobacco Can you taste the mud in the water? Some push/pull aint it? A push/pull aint it? It's a push/pull, ain’t it? A push/pull, panic! Bait and bite Rush and run Nape and neck I panic! Tell me in my secret ear or hold your silver tongue Topple like a cemetery stone Skulls don’t dream and you can’t mine them for screams Like a pornographic photo on hospital sheets Some push/pull aint it? A push/pull aint it? Some push/pull ain't it? A push/pull, panic! I bait and bite rush and run nape and neck, I panic! I bait and bite rush and run I push, I pull, I panic! I bait and bite rush and run nape and neck I panic! I bait and bite rush and run I push, I pull, I panic I panic, I panic! panic
6.
What’s shaking in the new year? It’s a soft sun at the poolside She's my blonde assassin in her space shoes, and Bananarama, on her Kuwahara Let them daydream instead it’s a safe retreat Cause inside hides a Frankenstein on shameful hospital sheets Lying there in warm sheep's clothing and man she really loves those pills She’s on the pawnshop junket and then she’s off to the greyhounds, man Hey look who’s here rockin up in nylons Splash your hair around I recite the sagas at the massacre His recessive genes hide cannibal designs He’s your Tarzan in formaldehyde Let them daydream instead of summer escapes You were born on sweetwater banks but it's your sour heart that I taste Venus loves the anarchy and in a piping hot teenage dream She split the scene with and eclipsing wink in a tank top and Jordache jeans Hey look out ! Hug your pillows cause she’s in love again She likes his hairline, he likes her daughters and now they’re moving like, like young mourners It was a massacre in the daylight Let them daydream instead it’s a safe retreat Cause inside hides a Frankenstein on shameful hospital sheets (you’re innocent! I bet you are!) Lying there in warm sheep's clothing and man she really does love those pills She’s on the lam with a matchstick man and they're headed for Jacksonville Hey look out!
7.
bell the cat 04:35
Knockdown dragout, a bureaucratic shakedown It's a straight up cop out in a working class ghost town The night time's are wild, don’t leave me here to bell the cat And all the while she drank chamomile and read from the almanac Knockdown dragout, she’s an elemental machine adrift in the carnage of her broken parts and a dopamine smokescreen enough to shake her heart into rags rose cheeks and flash of teeth she left her kids in a parking lot at the jal lai on main street Blue light eye drops she smelled of coke and rum she's a train wreck that runs on schedule and I’m the pill end of her tongue knockdown-dragout, a bureaucratic shakedown It's a straight out cop out in a working class ghost town The night time's are wild, don't leave me here to bell the cat And all the while she drank chamomile and read from the almanac Blue light eye drops she smelled of coke and rum she's a train wreck that runs on schedule and Im the pill end of her tongue When the power goes out in a Havana And the hurricane washes all the bridges out I’m in a ditch rolled convertible on a trip to kingdom come But no worries, some jogger will find my dead body Back at the hotel, laying in bed, she felt like she was the last person on earth. But she also thinks in amusing kinks which she writes on her business card A blusher with a buxom lover who just loves Marquis de Sade
8.
There they are that’s everyone, right there under your skin Go after the disaster Steer yourself into the skid Now we’re reduced to rubble for all the rats to disgrace And this is when I come undone and where it all takes place Crows feet eyes like hesitation cuts It’s no surprise we’re so delirious Hey you get up, I’m all broken up Throw me a line I got sucked up into you, everytime we’re like locked up criminals Hey you get up, I’m all broken up Go after the disaster Steer yourself into the skid You can live with all the laughter or you can hate and take the win Another day of fang and claw, another bleeder for the pile Now every day is so dangerous Every day and every mile Crows feet eyes like hesitation cuts It’s no surprise we’re so delirious Hey you get up, I’m all broken up Throw me a line I’ve been sucked up into you, everytime we’re like locked up criminals Hey you get up, I’m all broken up The bruise blood has all drawn black, it’s where the life lines crawl to die We’re here to lash flesh back to bone and give instructions for future eyes We take everything so serious Plotting resurrections for the dead Ten billion neurons misfire novas as I slide from pub to bed Crows feet eyes like hesitation cuts It’s no surprise we’re so delirious Hey you get up, I’m all broken up Throw me a line I got sucked up into you, everytime we’re like locked up criminals Hey you get up, I’m all broken up Bury the shrine we got love and criminals!

about

Double singles release on Feb 3 and Feb 24. Full album will be released on vinyl and all streaming platforms on March 17.

credits

released March 17, 2023

All songs written & composed by Aaron Louis / 2022 Music (BMI)

Produced and mixed by Omer Leibovitz

Musicians:
Aaron Louis: vocals, guitar, synths
Omer Leibovitz: guitar, bass, keys, percussion
Layton Weedeman: drums, percussion
Will Raines: organ, synths, piano, guitar
Gary Atturio: bass
Kirk Schoenherr: guitar

Guest Musician: Teddy Mulet: trumpets, trombones

Backing vocals on “Love and Criminals”: Omer Leibovitz, Layton Weedeman, Will Raines, Gary Atturio, and Kirk Schoenherr

Recorded by Jeff Berner at Studio G in Brooklyn, NYC
Assistant Engineers: Ross Colombo, Jeet Baidyaroy
“Nerve and Vein” recorded by Omer Leibovitz in Gowanus Douglass St Studio, Brooklyn, NYC
“bell the cat” horns composed by Teddy Mulet and recorded by Michael Mulet

Mastered by Alan Douches at West West Side Music

Artwork by Roxanna Bikadoroff 2022

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The Clamor Brooklyn, New York

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